Oxford University Press

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In the 1880s, profound socio-economic and technological changes in the United States contributed to the rejection of Christian architectural traditions and the development of a radically new worship building, the auditorium church.   When Church Became Theatre focuses on this radical shift in evangelical Protestant architecture and links it to...

The Kill (La Cur'ee) is the second volume in Zola's great cycle of twenty novels, Les Rougon-Macquart, and the first to establish Paris - the capital of modernity - as the centre of Zola's narrative world. Conceived as a representation of the uncontrollable 'appetites' unleashed by the Second Empire (1852-70) and the transformation of the city by...

Italy, the Italians, and the Second World WarA fascinating reconstruction and re-evaluation of the causes and consequences of        Mussolini's fall from power in July 1943, covering everything from high politics to        the everyday experiences of ordinary Italians as war continued to ravage their        country....

Volume V: HistoriographyThe Oxford History of the British Empire is a major new assessment of the Empire in the light of recent scholarship and the progressive opening of historical records. This fifth and final volume examines the historiography of empire, investigating the shape and development of scholarly and popular opinion about the British...

Robert Eaglestone argues that postmodernism is a response to the Holocaust. He offers a range of new perspectives, including new ways of looking at testimony and at recent Holocaust fiction; explores controversies in Holocaust history; looks at the importance of the Holocaust for recent philosophy; and asks what the Holocaust means for reason,...