EBOOK Screendance:Inscribing the Ephemeral Image -

EBOOK Screendance:Inscribing the Ephemeral Image
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Wydawnictwo: Oxford University Press
ISBN: 9780199773176
EAN: AFB24A43EB
Format: 0,0 x 0,0 x 0,0
Oprawa: ...
Stron: 234
Data wydania: 2012
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The relationship between the practice of dance and the technologies of        representation has excited artists since the advent of film. Dancers,        choreographers, and directors are increasingly drawn to screendance, the practice of        capturing dance as a moving image mediated by a camera. While the interest in        screendance has grown in importance and influence amongst artists, it has until now        flown under the academic radar. Emmy-nominated director and auteur Douglas        Rosenberg's groundbreaking book considers screendance as both a visual art form as        well as an extension of modern and post-modern dance without drawing artificial        boundaries between the two. Both a history and a critical framework, Screendance:        Inscribing the Ephemeral Image is a new and important look at the subject.As he        reconstructs the history and influences of screendance, Rosenberg presents a        theoretical guide to navigating the boundaries of an inherently collaborative art        form. Drawing on psycho-analytic, literary, materialist, queer, and feminist modes        of analysis, Rosenberg explores the relationships between camera and subject,        director and dancer, and the ephemeral nature of dance and the fixed nature of film.          This interdisciplinary approach allows for a broader discussion of issues of        hybridity and mediatized representation as they apply to dance on film.Rosenberg        also discusses the audiences and venues of screendance and the tensions between        commercial and fine-art cultures that the form has confronted in recent years. The        surge of screendance festivals and courses at universities around the world has        exposed the friction that exists between art, which is generally curated, and dance,        which is generally programmed. Rosenberg explores the cultural implications of both        methods of reaching audiences, and ultimately calls for a radical new way of        thinking of both dance and film that engages with critical issues rather than simple        advocacy.

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