EBOOK Psychology of Music Performance Anxiety -

EBOOK Psychology of Music Performance Anxiety
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Wydawnictwo: Oxford University Press
ISBN: 9780191620997
EAN: 6D5FE98DEB
Format: 0,0 x 0,0 x 0,0
Oprawa: ...
Stron: 400
Data wydania: 2011
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Why are some performers exhilarated and energized about performing in public,        while others feel a crushing sense of fear and dread, and experience public        performance as an overwhelming challenge that must be endured? What are the factors        that produce such vastly different performance experiences? Why have consummate        artists like Frederic Chopin, Sergei Rachmaninoff, Pablo Cassals, Tatiana Troyanos,        and Barbra Streisand experienced such intense music performance anxiety? This is        adisorder that can affect musicians across a range of genres and of all standards.          Some of the 'cures' musicians resort to can be harmful to their health and        detrimental to their playing.This is the first rigorous exposition of music        performance anxiety. In this groundbreaking work, Dianna Kenny draws on a range of        disciplines including psychology, philosophy, phenomenology, psychoanalysis, and        performance theory in order to explain the many facets of music performance anxiety        that have emerged in the empirical and clinical literature. She identifies some        unifying guiding principles that will enhance our understanding of the condition and        guide researchers and clinicians in thedevelopment of effective treatments. The book        provides a detailed conceptual framework for the study of music performance anxiety        and a review of the empirical and clinical research on the anxiety disorders. In        addition it presents a thorough analysis of the concepts related to music        performanceanxiety, its epidemiology, and theories and therapies that may be useful        in understanding and treating the condition. The voices of musicians are clearly        heard throughout the book and in the final two chapters, we hear directly from        musicians about how they experience it and what they do to manage it.This book will        lay a firm foundation for theorizing music performance anxiety and be of enormous        value interest to those in the fields of music and music education, clinical        psychology, and performance studies.

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